M KATHLEEN WARREN PHOTO-ENCAUSTIC ARTIST
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Picture
Encaustic art dates back to the 5th century BC, and these paintings do not deteriorate with time with proper care. For my photo-encaustic art, I start with one of my own photographs, printed on archival rice paper, then embed the print in encaustic wax, fused onto a wooden board.  The encaustic medium I use is a mixture of beeswax and damar resin, about 9:1, and it needs to be hot in order to work with the wax.  After embedding my print in wax, I add layers, textures, or words to help develop my vision for the piece.
 
Encaustic art is rarely shown under glass, and the viewer can touch the surface without damage. As with much artwork, avoid hanging your encaustic pieces in direct sunlight and also avoid extreme temperatures.  The wax begins to soften around 140° F and to melt around 150° F, and if it is frozen the wax may crack. Softened wax is susceptible to surface damage like nicks and deeper scratches, so the major consideration for encaustic art is to avoid hot environments. For transport, cover the encaustic piece with glassine paper, wax paper, or parchment paper before packing with other materials, and avoid bubble wrap next to the painting since it could leave marks on the wax. During the first 6-12 months, the encaustic wax will continue to harden and may develop a “bloom” that can easily be removed by buffing with a soft lint-free cloth or even your clean hand.  Most of all, display your encaustic painting and enjoy this living art medium!
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  • Home
    • My art statement audio
  • Photo-encaustic
    • Dancers
    • Stories >
      • R Artist Statement
    • Horses
  • About Encaustic Art
  • Cyanotypes
    • Choices
  • Photographs
  • In-person Workshops
    • Creative Cell Phone Photography
    • samples from PS for Artists
  • Online Courses
  • About Me
    • Artist's bio
    • artist's resume
  • Contact me
  • links