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<channel><title><![CDATA[M KATHLEEN WARREN PHOTO-ENCAUSTIC ARTIST - May 12, 2021]]></title><link><![CDATA[https://www.mkwarren.com/may-12-2021]]></link><description><![CDATA[May 12, 2021]]></description><pubDate>Thu, 12 Mar 2026 05:40:43 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[Young Woman]]></title><link><![CDATA[https://www.mkwarren.com/may-12-2021/young-woman]]></link><comments><![CDATA[https://www.mkwarren.com/may-12-2021/young-woman#comments]]></comments><pubDate>Wed, 12 May 2021 17:56:42 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.mkwarren.com/may-12-2021/young-woman</guid><description><![CDATA[       This image has multiple layers of meaning for me, the deepest intensely personal.&nbsp; As a young photographer, I shot the original in 1975 while playing around with a tripod, a single light, and the self-timer of the camera in my bedroom.&nbsp; The film was probably Tri-X, and if I remember correctly I pushed it several stops when I developed it.&nbsp; I printed a few photographs from that roll, but at the time I was not too excited about them.&nbsp; Some years later, I pulled out the r [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.mkwarren.com/uploads/7/3/6/6/7366562/published/young-woman-for-web.jpg?1620842237" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph">This image has multiple layers of meaning for me, the deepest intensely personal.&nbsp; As a young photographer, I shot the original in 1975 while playing around with a tripod, a single light, and the self-timer of the camera in my bedroom.&nbsp; The film was probably Tri-X, and if I remember correctly I pushed it several stops when I developed it.&nbsp; I printed a few photographs from that roll, but at the time I was not too excited about them.&nbsp; Some years later, I pulled out the roll and printed this one in the darkroom at what was then Daytona Beach Community College for one of my photography courses.&nbsp; I had the enlarger head pretty high and used a high contrast filter.&nbsp; I loved the dreamy look and extreme film grain of the final print.&nbsp; Later,&nbsp;I scanned the print on a high-resolution scanner in the photo lab.&nbsp; So the surface layer of meaning is about the techniques I used, somewhat fortuitous, to get this print.<br /><br />Moving deeper into the meaning, this print reminds me of a significant loss.&nbsp; I had saved many, many negatives from my early shooting days;&nbsp;quite a few were shots of old Florida that no longer exist.&nbsp; As I moved from place to place, from life-change to life-change, from single college student to married graduate student to divorced horse-trainer to full-time professor position, I always moved that box of precious negatives with me.&nbsp; Then on&nbsp;the last move, I lost my box of negatives&ndash;it was somehow thrown out with the boxes of junk.&nbsp; A couple of weeks later, unpacking the last boxes, I came across this roll of negatives.&nbsp; To me, this roll symbolizes a partial retrieval of something precious I had lost.&nbsp; It is a link to my early photography days and those rolls and rolls of black-and-white film I developed by hand.<br /><br />Ah, something I had lost.&nbsp; Here is the most personal meaning of this image.&nbsp; Not only is it a reminder of what I had lost, but it is a potent reminder of who I was at one time.&nbsp; This young woman was me, is me.&nbsp; She was so passionate about her art, so eager to experiment with her art, so comfortable in front of the camera.&nbsp; And her eyes.&nbsp; Those eyes looking at something not in the picture.&nbsp; Deep searching eyes, almost haunting.&nbsp; Those eyes are still my eyes.&nbsp; Searching, seeing further, seeing deeper.<br /></div>]]></content:encoded></item></channel></rss>